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Shooting / Ride In The Whirlwind - 2 Disc Criterion Collection [CRI-Criterion]
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Laserzone Preis
CHF 34.90
Artikel: 1454264
Movie: 90154891
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Regionencode [?]
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1 - USA
(NTSC)
Benötigt Codefree-Player zum Abspielen!
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Originaltitel
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Ride In The Whirlwind
Duell In Der Wüste
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Diese Box enthält
folgende Filme
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- Ride In The Whirlwind
- The Shooting
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Genre
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Western
/ Independent
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Produktionsland
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USA
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Herstellungsjahr
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1965
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Schauspieler
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Harry Dean Stanton, Jack Nicholson, Cameron Mitchell, Millie Perkins, George Mitchell, Rupert Crosse, John Hackett, Katherine Squire, Tom Filer
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Regie
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Monte Hellman
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Autor(en)
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Jack Nicholson
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Produzent(en)
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Jack Nicholson, Roger Corman, Monte Hellman
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Sprache (Tonformat)
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Englisch (Dolby Digital)
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Untertitel
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-
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Covertext
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In the midsixties, the maverick American director Monte Hellman conceived of two westerns at the same time. Dreamlike and gritty by turns, these films would prove their maker’s adeptness at brilliantly deconstructing genre. Shot back-to-back for famed producer Roger Corman, they feature overlapping casts and crews, including Jack Nicholson in two of his meatiest early roles. The Shooting, about a motley assortment of loners following a mysterious wanted man through a desolate frontier, and Ride in the Whirlwind, about a group of cowhands pursued by vigilantes for crimes they did not commit, are rigorous, artful, and wholly unconventional journeys to the Old West.
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Altersfreigabe
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Unbekannt
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Anzahl Discs
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2
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Veröffentlichung
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11.11.2014
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Special Features
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- New 4K digital restorations of both films, supervised by director Monte Hellman, with uncompressed monaural soundtracks on the Blu-ray
- Audio commentaries on both films, featuring Hellman and film historians Bill Krohn and Blake Lucas
- New interviews with actors John Hackett, B. J. Merholz, Millie Perkins, and Harry Dean Stanton, assistant director Gary Kurtz, and chief wrangler Calvin Johnson, all in conversation with Hellman
- New conversation between actor Will Hutchins and film programmer Jake Perlin
- New video appreciation of actor Warren Oates by critic Kim Morgan
- PLUS: An essay by critic Michael Atkinson
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