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DVD Versand mit riesiger Auswahl und portofreier Lieferung. Filme aus allen Bereichen: Comedy, Action, Drama, ...




Smiles Of A Summer Night - Criterion Collection - Blu-Ray Disc   [CRI-Criterion]




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Artikel: 1449204
Movie: 90158531



Regionencode [?] 1 - USA (NTSC) (Film in s/w)
Benötigt Codefree-Player zum Abspielen!
Originaltitel Sommarnattens Leende
Smiles Of A Summer Night
Das Lächeln Einer Sommernacht
Genre Comedy / Lovestory
Produktionsland Schweden
Herstellungsjahr 1955


Schauspieler Bibi Andersson, Gunnar Björnstrand, Harriet Andersson, Eva Dahlbeck, Birgitta Valberg, Ulla Jacobsson, Jarl Kulle, Naima Wifstrand, Margit Carlqvist, Åke Fridell, Björn Bjelfvenstam, Jullan Kindahl, Gull Natorp
Regie Ingmar Bergman
Autor(en) Ingmar Bergman
Produzent(en) Allan Ekelund
Sprache (Tonformat) Schwedisch   (Dolby Digital - 1.0 Mono)
Untertitel Englisch
Covertext After fifteen films that received mostly local acclaim, the 1955 comedy Smiles of a Summer Night (Sommarnattens leende) at last ushered in an international audience for Ingmar Bergman. In turn-of-the-century Sweden, four men and four women attempt to navigate the laws of attraction. During a weekend in the country, the women collude to force the men’s hands in matters of the heart, exposing their pretensions and insecurities along the way. Chock-full of flirtatious propositions and sharp witticisms delivered by such Swedish screen legends as Gunnar Björnstrand and Harriet Andersson, Smiles of a Summer Night is one of cinema’s great erotic comedies.


Bildformat Fullscreen 1.33:1 Aufbereitet für 16:9 Bildschirme
Laufzeit 108 Minuten
Veröffentlichung 03.05.2011


Special Features
  • Requires Blu-ray compatible player!
  • Digital restoration (with uncompressed monaural soundtrack on the Blu-ray edition)
  • Video introduction to the film by director Ingmar Bergman
  • Video conversation between Bergman scholar Peter Cowie and writer Jörn Donner, executive producer of Fanny and Alexander
  • Original theatrical trailer
  • PLUS: A booklet featuring an essay by theater and film critic John Simon and a 1961 review by film critic Pauline Kael

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