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DVD Versand mit riesiger Auswahl und portofreier Lieferung. Filme aus allen Bereichen: Comedy, Action, Drama, ...




Smiles Of A Summer Night - Criterion Collection   [CRI-Criterion]




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Artikel: 1412171
Movie: 90158531



Regionencode [?] 1 - USA (NTSC) (Film in s/w)
Benötigt Codefree-Player zum Abspielen!
Originaltitel Sommarnattens Leende
Smiles Of A Summer Night
Das Lächeln Einer Sommernacht
Genre Comedy / Lovestory
Produktionsland Schweden
Herstellungsjahr 1955


Schauspieler Bibi Andersson, Gunnar Björnstrand, Harriet Andersson, Eva Dahlbeck, Birgitta Valberg, Ulla Jacobsson, Jarl Kulle, Naima Wifstrand, Margit Carlqvist, Åke Fridell, Björn Bjelfvenstam, Jullan Kindahl, Gull Natorp
Regie Ingmar Bergman
Autor(en) Ingmar Bergman
Produzent(en) Allan Ekelund
Sprache (Tonformat) Schwedisch   (Dolby Digital - Mono)
Untertitel Englisch
Covertext After fifteen films of mostly local acclaim, the 1956 prize-winning comedy Smiles of a Summer Night at last ushered in an international audience for director Ingmar Bergman. Set in turn-of-the-century Sweden, four women and four men attempt to juggle the laws of attraction amidst their daily bourgeois life. When a weekend in the country brings them all face to face, the women ally to force the men's hands in their matters of the heart, exposing their pretentions and insecurities along the way. Chock full of flirtatious propositions and sharp-witted wisdom delivered by such legends of the Swedish screen as Gunnar Börnstrand, Eva Dahlbeck, Harriet Andersson, and Ulla Jacobsson, Smiles of a Summer Night is one of film history's great tragicomedies, a bittersweet view of the transience of human carnality.


Bildformat Fullscreen 1.33:1
Laufzeit 110 Minuten
Veröffentlichung 22.05.2004


Special Features
  • Video introduction to the film by director Ingmar Bergman
  • New video conversation with historian Peter Cowie and writer Jörn Donner (producer, Fanny and Alexander)
  • Swedish theatrical trailer
  • Printed booklet including a new illustrated essay by renowned theater and film critic John Simon and an essay by film critic Pauline Kael

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