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Eating Raoul - Criterion Collection - Blu-Ray Disc [CRI-Criterion]
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Laserzone Preis
CHF 39.90
Artikel: 1077393
Movie: 90089361
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Regionencode [?]
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1 - USA
(NTSC)
Benötigt Codefree-Player zum Abspielen!
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Originaltitel
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Eating Raoul
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Genre
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Comedy
/ Satire
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Produktionsland
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England (UK)
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Herstellungsjahr
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1982
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Schauspieler
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Ed Begley Jr., John Landis, Mary Woronov, Edie McClurg, Paul Bartel, Buck Henry, Hamilton Camp, Allan Rich, Robert Beltran, Garry Goodrow, Don Steele, Billy Curtis, Richard Paul
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Regie
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Paul Bartel
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Autor(en)
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Paul Bartel, Richard Blackburn
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Produzent(en)
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Anne Kimmel
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Sprache (Tonformat)
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Englisch (Dolby Digital - 1.0 Mono)
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Untertitel
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-
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Covertext
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A sleeper hit of the early 1980s, Eating Raoul is a bawdy, gleefully amoral tale of conspicuous consumption. Warhol superstar Mary Woronov and cult legend Paul Bartel (who also directed) portray a prudish married couple who feel put upon by the swingers living in their apartment building. One night, by accident, they discover a way to simultaneously rid themselves of the “perverts” down the hall and realize their dream of opening a restaurant. A mix of hilarious, anything-goes slapstick and biting satire of me-generation self-indulgence, Eating Raoul marked the end of the sexual revolution with a thwack.
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Bildformat
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1.78:1 Aufbereitet für 16:9 Bildschirme
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Laufzeit
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83 Minuten
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Veröffentlichung
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25.09.2012
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Special Features
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- Requires Blu-ray compatible player!
- New, restored digital transfer, supervised by director of photography Gary Thieltges, with uncompressed monaural soundtrack on the Blu-ray edition
- Audio commentary featuring screenwriter Richard Blackburn, production designer Robert Schulenberg, and editor Alan Toomayan
- The Secret Cinema (1966) and Naughty Nurse (1969), two short films by director Paul Bartel
- Cooking Up “Raoul,” a new documentary about the making of the film, featuring interviews with stars Mary Woronov, Robert Beltran, and Edie McClurg
- Gag reel of outtakes from the film
- Archival interview with Bartel and Woronov
- Trailer
- PLUS: A booklet featuring an essay by film critic David Ehrenstein
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