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La Cage Aux Folles - Criterion Collection [CRI-Criterion]
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Laserzone Preis
CHF 29.90
Artikel: 1027413
Movie: 90123131
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Regionencode [?]
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1 - USA
(NTSC)
Benötigt Codefree-Player zum Abspielen!
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Originaltitel
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La Cage Aux Folles
Birds Of A Feather
Ein Käfig Voller Narren
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Genre
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Comedy
/ Gay-Movie
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Produktionsland
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Frankreich
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Herstellungsjahr
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1978
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Schauspieler
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Michel Galabru, Venantino Venantini, Michel Serrault, Ugo Tognazzi, Claire Maurier, Luisa Maneri, Carmen Scarpitta, Rémi Laurent, Benny Luke, Nicola D'Eramo
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Regie
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Edouard Molinaro
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Autor(en)
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Jean Poiret, Marcello Danon, Edouard Molinaro, Francis Veber
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Produzent(en)
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Marcello Danon
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Sprache (Tonformat)
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Französisch (Dolby Digital - 1.0 Mono)
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Untertitel
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Englisch
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Covertext
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Renato (Ugo Tognazzi) and Albin (Michel Serrault)—a middle-aged gay couple who are the manager and star performer at a glitzy drag club in Saint-Tropez—agree to hide their sexual identities, along with their flamboyant personalities and home decor, when the ultraconservative parents of Renato’s son’s fiancée come for a visit. This elegant comic scenario kicks off a wild and warmhearted French farce about the importance of nonconformity and being true to oneself. A breakout art-house smash in America, Edouard Molinaro’s La Cage aux Folles inspired a major Broadway musical and the blockbuster remake The Birdcage. But with its hilarious performances and ahead-of-its-time social message, there’s nothing like the audacious, dazzling original movie.
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Bildformat
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1.66:1 Aufbereitet für 16:9 Bildschirme
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Laufzeit
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96 Minuten
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Veröffentlichung
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10.09.2013
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Special Features
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- New, restored 2K digital film transfer, with uncompressed monaural soundtrack on the Blu-ray edition
- New interview with director Edouard Molinaro
- Archival footage featuring actor Michel Serrault and Jean Poiret, writer and star of the original stage production of La Cage aux Folles
- New interview with Laurence Senelick, author of The Changing Room: Sex, Drag and Theatre
- French and U.S. trailers
- New English subtitle translation
- PLUS: A booklet featuring an essay by critic David Ehrenstein
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